January 28, 2013
FR. RON ROLHEISER, omi
In virtually all of his novels, Milan Kundera manifests a strong impatience with every kind of ideology, hype or fad that makes for group think or crowd hysteria. He is suspicious of slogans, demonstrations and marches of all kinds, no matter the cause. He calls all these the great march and, to his mind, they invariably lead to violence, all of them. Kundera likes artists because they tend to steer clear of causes, wanting to paint or write rather than march.